![]() 15 (Brahms) ? Wild Horseman from Album for the Young (Schumann). Anthony Chorale (Haydn) ? Theme from Swan Lake (Tchaikovsky) ? To Music (Schubert) ? Toreador's Song from Carmen (Bizet) ? Waltz from Sleeping Beauty (Tchaikovsky) ? Waltz from The Merry Widow (Lehár) ? Waltz, Op. 2 (Baermann) ? Solvejg's Song from Peer Gynt (Grieg) ? St. 9 (Beethoven) ? On the Beautiful Blue Danube (Strauss) ? Pavane (Fauré) ? Pomp and Circumstance March No. ![]() 2 (Beethoven) ? Minuet in G minor, BWV Appendix 115 (Petzold) ? The Moldau from Ma Vlast (Smetana) ? Musette in D Major, BWV Appendix 126 (Bach) ? Non più andrai from The Marriage of Figaro (Mozart) ? O mio babbino caro from Gianni Schicchi (Puccini) ? Ode to Joy from Symphony No. 5 (Boccherini) ? Minuet in D minor, BWV Appendix 132 (Anonymous) ? Minuet in G Major, BWV Appendix 114 (Petzold) ? Minuet in G Major, WoO 10, No. 9 ?From the New World? (Dvorák) ? Lullaby (Brahms) ? Lullaby (Schubert) ? Marmotte (Beethoven) ? Mazurka (Glinka) ? The Merry Farmer from Album for the Young (Schumann) ? Minuet from String Quintet in E Major, Op. 1 (Brahms) ? Irish Tune from County Derry (Grainger) ? Jupiter Chorale from The Planets (Holst) ? La donna è mobile from Rigoletto (Verdi) ? Largo from Serse (Handel) ? Largo from Symphony No. 3 (Chopin) ? Evening Prayer from Hansel and Gretel (Humperdink) ? Funeral March of a Marionette (Gounod) ? He Shall Feed His Flock from Messiah (Handel) ? Heidenröslein (Schubert) ? Hungarian Dance No. 94 ?Surprise? (Haydn) ? Aria from Aria con Variazioni (Handel) ? Ave Maria (Schubert) ? Barcarolle from The Tales of Hoffmann (Offenbach) ? Canon in D (Pachelbel) ? Dance of the Blessed Spirits from Orfeo ed Euridice (Gluck) ? Emperor Waltz (Strauss) ? Etude in E Major, Op. 6 ?Pathétique? (Tchaikovsky) ? Andante from Symphony No. 24 (Baermann) ? Andante from Symphony No. This book includes 50 must-know works by Bach, Brahms, Handel, Tchaikovsky and more arranged for clarinet.Ĭomplete contents include: About Strange Lands and People from Scenes from Childhood (Schumann) ? Adagio, Op. If you've been playing clarinet for a little while, you are probably eager to learn some familiar works. Hopefully these editions will stimulate thought on these matters and also provide clear and practical solutions which can help one on his or her journey toward the incomparable expressiveness and depth of these works. I feel that, ideally, every student of the lute should make his or her own versions of these pieces, and thus be directly confronted with problems related to them. I feel that this approach starts with the music itself and seeks to bring it to life in a pragmatic spirit that is close to the 18th century.Įach edition in this series will have an introduction which discusses sources and specific points of interest or enigmas related to the individual piece. In some cases, where the original key of a piece seemed unnecessarily cumbersome, I have changed it, taking it as a principle that there is nothing sacred in a tonality if it renders a piece, or parts thereof, unplayable. ![]() I have steered clear of scordatura tunings and modifications to the instrument itself. My aim is, rather, to present playable versions in tablature for the standard 13-course lute of Bach?s time in the d minor tuning. It is not my intention to go through this literature here, nor do I intend to discuss the varieties of sometimes very creative solutions that other lutenists may have utilized in approaching these pieces. Interestingly enough, Bach?s solo Sonatas and Partitas for violin and his Suites for cello often lend themselves more organically to the lute.Īs the problems relating to the so-called ?official? works became more clearly defined, a significant body of practical and musicological reflexions on these matters came to be published in different journals and editions. The original keys are sometimes awkward, and there are problems of range and density of texture which can lead one to ask whether they were actually conceived for the lute at all. Many questions remain regarding the playability of these works on the lute. The numbering of the Suites that is commonly used by guitarists today dates from the 1920?s. They were first grouped together at the end of the 19th century by the editors of the Bach Gesellschaft. Unlike some other collections in Bach?s oeuvre, the lute works come from diverse sources and were never considered to be an organic unit during the composer?s lifetime. The works of Johann Sebastian Bach which are generally considered to have been originally written for the lute (BWV 995-10a) are being published here in a series of practical editions. World wide shipping ( except EU countries!, As of JSheet Music Plus does not ship physical goods to EU countries) ![]() 9.0x12.0x0.228 inches.ĥ0 original piano works and arrangements of great music from iconic Baroque composer J.S. ![]()
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